[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1486123859378{padding-top: 45px !important;padding-bottom: 74px !important;background-color: rgba(249,249,249,0.85) !important;*background-color: rgb(249,249,249) !important;}\u00a0\u00bb][vc_column offset=\u00a0\u00bbvc_col-lg-6 vc_col-md-6″][vc_single_image image=\u00a0\u00bb56″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbright\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb24px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb510″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb60px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb1067″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbright\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb70px\u00a0\u00bb][vc_column_text]<\/p>\n
[\/vc_column_text][vc_empty_space height=\u00a0\u00bb16px\u00a0\u00bb][vc_column_text]Il fallait rassembler, regrouper, f\u00e9d\u00e9rer. Identifier la maison, trouver ses couleurs, sa banni\u00e8re.<\/strong><\/p>\n Nous avions dans\u00e9 seul, \u00e0 deux, ou \u00e0 plusieurs, chant\u00e9, jou\u00e9, dedans dehors, avec le public o\u00f9 sans, sous la pluie ou le soleil ardent, dans la ville souvent, dans la nature aussi, pour le public ou pour les \u00e9toiles.<\/p>\n Nous avions chant\u00e9, \u00e9crit, accompagn\u00e9, dirig\u00e9, chor\u00e9graphi\u00e9 pour le th\u00e9\u00e2tre, pour des compagnies amies, des duos souvent ou des solistes talentueux.<\/p>\n Il fallait trouver un nom, savoir \u00e0 quel sein se vouer. Quelle meilleure banni\u00e8re pour nous retrouver que celle du \u00ab\u00a0Parquet Nomade\u00a0\u00bb ?<\/p>\n Performance \u00e9ponyme phare, c’est elle qui a fait sentir le besoin d’une compagnie f\u00e9d\u00e9ratrice se structurant.<\/p>\n Il fallait diffuser, communiquer, cr\u00e9er ! Sous quel nom ?<\/p>\n <\/p>\n La compagnie est n\u00e9e quelques ann\u00e9es apr\u00e8s la cr\u00e9ation de la performance \u00e9ponyme, le tr\u00e8s f\u00e9d\u00e9rateur projet \u00ab\u00a0Parquet nomade\u00a0\u00bb n\u00e9 lui, en 2009<\/strong>. La question du nom s’est pos\u00e9 puis s’est trouv\u00e9. La Compagnie du Parquet Nomade !\u00a0<\/strong><\/p>\n parceque nous voulons sortir les pratiques de danses post moderne des studios de danse, parceque nous voulons que notre maison soit partout, l\u00e0 o\u00f9 la cr\u00e9ation nait..<\/p>\n Constitu\u00e9e d\u2019artistes de toutes disciplines, danse, cirque, musique, th\u00e9\u00e2tre, clown,<\/p>\n La compagnie est pr\u00e9sente sur tout le territoire fran\u00e7ais ainsi qu\u2019\u00e0 l\u2019\u00e9tranger.<\/p>\n <\/p>\n Une passion pour \u2026<\/p>\n la cr\u00e9ation dans l\u2019espace public, dans des lieux atypiques ou plus traditionnels .<\/p>\n Des cr\u00e9ations invitant \u00e0 porter un autre regard sur le quotidien.<\/p>\n l\u2019improvisation comme moteur de cr\u00e9ation,<\/p>\n la rencontre avec le public, les publics,<\/p>\n Une approche contemporaine des arts vivants,\u00a0nourrie de l\u2019exigence des techniques de jeu et de mouvement plus traditionnelles.<\/p>\n <\/p>\n Les projets de la compagnie offrent trois axes principaux<\/strong> :<\/strong><\/p>\n <\/p>\n performances \u00e9ph\u00e9m\u00e8res in situ <\/strong>(collaborations \u00ab\u00a0trans-disciplinaires\u00a0\u00bb, spectacles participatifs, cr\u00e9ations musicales dans l\u2019espace public, traces visuelles\u2026)<\/p>\n <\/p>\n <\/p>\n [\/vc_column_text][vc_empty_space height=\u00a0\u00bb84px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb148″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb24px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb553″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb24px\u00a0\u00bb][\/vc_column][vc_column offset=\u00a0\u00bbvc_col-lg-6 vc_col-md-6″][vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb][vc_column_text]<\/p>\n [\/vc_column_text][vc_empty_space height=\u00a0\u00bb16px\u00a0\u00bb][vc_column_text]<\/p>\n [\/vc_column_text][vc_empty_space height=\u00a0\u00bb24px\u00a0\u00bb][vc_column_text]et dipl\u00f4m\u00e9e en \u00e9tudes cin\u00e9matographique et th\u00e9\u00e2trales<\/strong> (Ma\u00eetrise Paris VIII), elle se forme en parall\u00e8le \u00e0 ses \u00e9tudes universitaires au chant lyrique ainsi qu\u2019aux techniques d’improvisation et de mouvement somatique (Jazz Vocal, Sound Painting, Composition, Contact-Improvisation, Buto, BMC, Roy Hart Th\u00e9\u00e2tre, Life Art Process)<\/p>\n Elle est fortement influenc\u00e9e et nourrie par les ann\u00e9es de recherches et de collaboration aupr\u00e8s de divers enseignants et artistes de renomm\u00e9e internationale tels que M\u00e9r\u00e9dith Monk, A. Minvielle, la Cie Lubat, M. Vargas, C. Buchwald, S. Koseki, N. Starksmith, S. Paxton, K. Simson, R. Chung, D. Lepkoff, B. Bainbridge Cohen, A. Halprin, J. Hamilton, C. Aiken, A. Hardwood, D. Silhol, H. H.Guarbia, S. Souhya, L. de Nercy, V. Manley, le Roy Hart theatre, E. Blouet, Cie Kumulus, Th\u00e9atro del Silencio, Z. Maistre… Elle poursuit ses recherches et cr\u00e9ations personnelles en tant que performeuse, artiste mais aussi p\u00e9dagogue aupr\u00e8s de divers publics<\/strong> (enfants, ados, adultes, public sp\u00e9cifiques) en France et \u00e0 l\u2019\u00e9tranger. Elle enseigne r\u00e9guli\u00e8rement la danse, le clown, les arts du cirque et l\u2019improvisation vocale depuis 1999. It is strongly influenced and nurtured by years of research and collaboration with various teachers and internationally renowned artists such as Meredith Monk, A. Minvielle, Co. Lubat, Mr. Vargas, C. Buchwald, S. Koseki, N. Starksmith, S. Paxton, K. Simson, R. Chung, D. Lepkoff, B. Bainbridge Cohen, A. Halprin, J. Hamilton, C. Aiken, A. Hardwood , D. Silhol, H. Guarbia, S. Souhya, L. Nercy, V. Manley, the Roy Hart Theatre, E. Blouet, Kumulus Co., Th\u00e9atro del Silencio, Z. Maistre…<\/p>\n This path led her to work to perform and be inspired by several live performance companies (La Compagnie de la derni\u00e8re minute, Deuxi\u00e8me Groupe d\u2019Intervention, Compagnie OFF, Compagnie K, Ludor Citrik, Cie Genevi\u00e9ve Mazin, Cie Anqa, Groupe T.L.M, Ensemble Amalgammes, Le Grand Cirque Rigolo, Pascal Rousseau, Lior Shoov et Anne Kaempf, les L\u00e9zards Hurlants, Adrienne Larue…).<\/p>\n She continued her research and personal creations as a performer, artist but also as educator to various audiences (children, teenagers, adults, specific public) in France and abroad. She regularly teaches dance, clown and circus arts and vocal improvisation since 1999. After these experiences, it is clear for her the desire to create a project that brings together these different practices and especially to develop interactive forms of entertainment, participatory and intergenerational shows in public spaces. Le Parquet Nomade Project was born from this reflexion. In 2013 she created the Nomad Parquet Co., to finally consolidate her various artistic productions and driving dynamics.[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_empty_space height=\u00a0\u00bb60px\u00a0\u00bb][vc_column_text]<\/p>\n [\/vc_column_text][vc_empty_space height=\u00a0\u00bb16px\u00a0\u00bb][vc_column_text]<\/p>\n [\/vc_column_text][vc_empty_space height=\u00a0\u00bb24px\u00a0\u00bb][vc_column_text]Apr\u00e8s une quinzaine d\u2019ann\u00e9es dans le secteur socio-culturel (\u00e0 diff\u00e9rents postes et notamment celui de responsable du secteur \u201cjeunes\u201d d\u2019un centre social, \u00e9ducateur sportif en milieu carc\u00e9ral et interlocuteur privil\u00e9gi\u00e9 des jeunes en grande difficult\u00e9), elle reprend assid\u00fbment des \u00e9tudes de musique en 1999 (IMFP – \u00e9cole de jazz de Salon de Provence), devient musicienne professionnelle et travaille avec plusieurs compagnies de th\u00e9\u00e2tre de rue<\/strong>. Attir\u00e9e par la p\u00e9dagogie et la recherche musicale, elle s\u2019int\u00e9resse notamment aux travaux de Jo\u00ebl Sternheimer sur les fr\u00e9quences (\u201cles prot\u00e9odies\u201d), au Soundpainting avec Walter Thomson et \u00e0 la technique de transmission musicale de Lucas Schiavatta (\u201cO Passo\u201d) avec lesquels elle effectue des stages. Elle cr\u00e9e une compagnie en 2005, \u201cles Rustines de l\u2019Ange\u201d et organise un festival de th\u00e9\u00e2tre de rue en milieu rural en 2012 et 2013. Elle effectue plusieurs voyages au Br\u00e9sil o\u00f9 elle prend des cours au conservatoire de Salvador da Bahia et rencontre des musiciens desquels elle apprend chansons et rythmes traditionnels\u2026 Elle travaille ensuite le jeu d\u2019acteur lors de divers stages puis le clown (p\u00e9dagogie d\u2019E. Blouet) avec Francis Farizon et fait aujourd\u2019hui partie de la brigade des \u201cClowns Municip\u00f4\u201d<\/strong> de la compagnie La Manivelle. Elle cr\u00e9e un solo de femme orchestre en 2015<\/strong>, r\u00e9pondant ainsi \u00e0 un r\u00eave d\u2019enfant, joue dans 3 spectacles en duo et anime cette ann\u00e9e un atelier musical pour adultes \u00e0 l\u2019\u00e9cole de musique Notes en Bulles de Buis les Baronnies. Elle travaille le chant avec Fran\u00e7ois Valade depuis 2016 et rejoint la compagnie du Parquet Nomade en 2017<\/strong>, d\u00e9couvre la danse contact improvisation avec Marion Michel et devient rapidement artiste associ\u00e9e de la compagnie.[\/vc_column_text][vc_empty_space height=\u00a0\u00bb60px\u00a0\u00bb][vc_column_text]<\/p>\n [\/vc_column_text][vc_empty_space height=\u00a0\u00bb16px\u00a0\u00bb][vc_column_text]<\/p>\n [\/vc_column_text][vc_empty_space height=\u00a0\u00bb24px\u00a0\u00bb][vc_column_text]Mandy met en \u0153uvre son savoir-faire au service de\u00a0l\u2019administration et la gestion de projets de la cie du Parquet nomade.[\/vc_column_text][vc_empty_space height=\u00a0\u00bb60px\u00a0\u00bb][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb thickness=\u00a0\u00bb30″][vc_empty_space height=\u00a0\u00bb24px\u00a0\u00bb][vc_column_text]<\/p>\n administratif avec le Fil de Soie depuis 2008[\/vc_column_text][vc_empty_space height=\u00a0\u00bb26px\u00a0\u00bb][vc_column_text]Association Parquet Nomade<\/p>\n N\u00b0 Siret : 8 94 007 095 00017 – APE : 9003B[\/vc_column_text][vc_empty_space height=\u00a0\u00bb26px\u00a0\u00bb][vc_row_inner row_type=\u00a0\u00bbrow\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb][vc_column_inner width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb1050″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb link=\u00a0\u00bbhttp:\/\/www.cielefildesoie.com\/\u00a0\u00bb][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb1\/2″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=\u00a0\u00bb54px\u00a0\u00bb][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb thickness=\u00a0\u00bb30″][vc_empty_space height=\u00a0\u00bb24px\u00a0\u00bb][vc_column_text]<\/p>\n 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\n<\/strong><\/p>\n\n
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Marion Michel<\/h3>\n
Chor\u00e9graphe, danseuse, chanteuse, clown<\/h6>\n
\nCe parcours l\u2019am\u00e8ne \u00e0 travailler en tant qu\u2019interpr\u00e8te<\/strong> ou regard ext\u00e9rieur au sein de plusieurs compagnies de spectacle vivant<\/strong> (La Compagnie de la derni\u00e8re minute, Deuxi\u00e8me Groupe d\u2019Intervention, Compagnie OFF, Compagnie K, Ludor Citrik, Cie Genevi\u00e8ve Mazin, Cie Anqa, Groupe T.L.M, Ensemble Amalgammes, Le Grand Cirque Rigolo, Pascal Rousseau, Lior Shoov et Anne Kaempf, les L\u00e9zards Hurlants, Adrienne Larue\u2026).<\/p>\n
\nForte de ces exp\u00e9riences, il lui para\u00eet \u00e9vident de cr\u00e9er un projet rassemblant ces diff\u00e9rentes pratiques<\/strong> et surtout permettant de d\u00e9velopper des formes spectaculaires interactives, participatives et interg\u00e9n\u00e9rationnelles dans l\u2019espace public. Le Parquet Nomade est n\u00e9 de cette r\u00e9flexion.<\/strong>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb24px\u00a0\u00bb][vc_accordion active_tab=\u00a0\u00bbfalse\u00a0\u00bb collapsible=\u00a0\u00bbyes\u00a0\u00bb style=\u00a0\u00bbtoggle\u00a0\u00bb][vc_accordion_tab title=\u00a0\u00bbEnglish\u00a0\u00bb][vc_column_text]Choreographer, dancer, singer, clown and graduated in film and theatre studies (Master Paris VIII); in parallel she studies opera singing, improvisation techniques and somatic movement (Vocal Jazz, Sound Painting Composition Contact-Improvisation, Butoh, BMC, Roy Hart Theatre, Art Life Process).<\/p>\nChristine Spraul<\/h3>\n
Musicienne, com\u00e9dienne, clown<\/h6>\n
Mandy Roetynck<\/h3>\n
Charg\u00e9e de communication, administration<\/h6>\n
Association Parquet Nomade est en compagnonnage<\/h3>\n
Partenaires<\/h3>\n
L’\u00e9quipe<\/h3>\n
est constitu\u00e9e aussi<\/h6>\n
de chor\u00e9graphes, danseurs, danseuses et performeurs<\/h6>\n
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D’un sc\u00e9nographe performeur<\/h6>\n
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de com\u00e9dien(e)s, clown(e)s et circassien(ne)s<\/h6>\n
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de plasticiens<\/h6>\n
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de musiciens<\/h6>\n
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d’une vid\u00e9aste<\/h6>\n
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d’\u00e9crivain.e.s po\u00e8tes<\/h6>\n
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Amis, compagnies amies<\/h3>\n
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